10 Tips to Finish Writing Your Book Posted by Sherrie Wilkolaski

by Karen Hodges Miller

A recent survey showed over 80% of Americans would like to write a book – but most never will.

In fact, in my experience, of that 80% who WANT to write a book, only about ten percent will ever start – and only about one percent of those who start will finish! After years of helping writers to complete their books, I’ve learned that the best way to finish is to schedule two to three two-hour blocks of time each week to work on it.

Think you don’t have that time? Here are a few tried and true techniques to help you find it.

1. Develop Your Vision. Why do you want to write a book? What do you want your book to do for you? There are as many possible answers to these questions as there are books and authors. You may want your book to inspire others, to help you build a business, to build your reputation as a writer, or all of the above. There is no wrong answer, only your answer.

2. Don’t Wait for Inspiration. How often have you said, “I’ll start writing my book when …” You are waiting for that special moment when time, energy and inspiration all come together. It may be when your kids are in school, the week they are in camp, or when you quit your job. But somehow, whenever those moments do arrive, something else always fills your time. There are clothes to wash, appointments to make, meetings to attend, and a host of other excuses. But if you are going to finish your book you must schedule regular writing time every week – and then make that time sacred.

3. Write About Your Passion. If you are not passionate about the subject of your book you are not going to want to spend the time needed to write it. Writing is hard work. There are times when you will have to give up evenings or weekends or Saturday afternoons to work on your book. Just because dozens of people have told you that you ought to write a book on a certain subject, doesn’t mean you should. If you don’t love it, find another topic!

4. Set Your Goals. A book is a big project. You can’t finish your book in one afternoon, or even one month. So set some goals for yourself. “At the end of one month I will have completed my outline.” “I will write one chapter per week.” “I will finish my books in six months.” Make sure your goals are realistic – then stick to them.

5. Give Yourself Rewards. Now that you’ve set your goals, reward yourself when you accomplish them. It works for your kids, why shouldn’t it work for you? Set small rewards for small goals – a relaxing cup of tea for finishing 1,000 words, for example. Set larger rewards for larger goals – a night of fun with your favorite video, popcorn and some friends to share it, for completing a chapter. And don’t forget to set a really nice reward for actually finishing your book!

6. Manage Priorities, Not Time. Make a list of your priorities, then divide these tasks into four categories: Urgent and Important, Urgent and Unimportant, Not Urgent and Important, Not Urgent and Unimportant. For example, a ringing phone urgently pleads for your attention, but is often unimportant. The two hours you block twice a week to work on your book are important but not urgent, so it’s easy to let something else slide into that time slot. How much of your time is spent on urgent but unimportant activities? Using this quadrant will help you see just how you are using your time.

7. Block Your Time. Now that you know what your most important priorities are, take out your calendar and start blocking in times. Block out the time spent on running errands, attending meetings, taking kids to activities. What time is left? Can you find two or three two-hour periods each week to work on your book? Once you’ve blocked them, make them sacrosanct. Only real emergencies should keep you from working on your book in those time periods.

8. Find the Right Place to Write. Writing takes concentration. You really cannot do your best work in the middle of the family room with the TV blaring and kids running around. Find a quiet corner where you can keep your work organized and easily accessible. Even if you live in a small apartment, make yourself a comfy corner where you can work without distraction.

9. Find an Accountability Partner. An accountability partner is someone who supports/nudges/nags you into completing a difficult project. Accountability partners can be used for everything from weight loss and exercise to writing your book. The relationship works best if each person has the opportunity to be both the nagged and the nagger. If the deal is only one way, it can devolve into something uncomfortably like the relationship between a parent and teenager – and that’s a good way to ruin a friendship. Both people don’t have to be working on the same thing, although that can be helpful. Just make sure that you and your partner have clear rules about the structure and type of nagging that will occur.

10. Why projects fail is failure to start. What’s the number one reason why projects fail? Failure to start. So pick a topic. Pick a time. Pick a place. Pick up a pencil. Pick out a file name for your new document. And write.

While over 80% of Americans say they want to write a book, most never will. Karen Hodges Miller offers her 25-plus years of experience as writer, editor and publisher to entrepreneurial authors who want to realize that dream. She holds a variety of workshops and seminars each year on book writing, publishing and marketing.

Karen’s experience as a freelance business reporter gives her a fresh outlook on the creative world of writers and the practical world of business owners. As founder of Open Door Publications^SM LLC Karen has helped dozens of authors bring their own ideas to market; the company published almost two dozen books since 2006. Karen began authoring her own series of books for authors in 2010.

“Finish Your Book! A Time Management Guide for Writers” is a practical and inspirational guide for the busy writer who must find time to write while juggling a business and personal life. “Sell Your Book, Think Outside the Bookstore,” to be published in April 2011, includes over 100 practical, specific tips for book marketing along with interviews with a variety of nationally-known publishing and marketing experts. Learn more about Karen at www.OpenDoorPublications.com

from Infinity's Blog for Authors and Writers

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PayPal Revises Policies to Allow Legal Fiction_Posted by Mark Coker (by erotica writers and such, curtailing their mercantile censorship)

Tuesday, March 13, 2012

In a victory for free speech, PayPal today announced plans to revise their content policies to allow Smashwords writers full freedom to publish and sell legal ebooks.

I met with PayPal at their offices yesterday in San Jose. They outlined their proposed policy changes for me. I was impressed.

This is a victory for all writers and readers. It removes credit card companies, banks and payment processors from the business of censoring legal fiction. It creates a new precedent that should allow other payment processors who have previously discriminated against legal fiction to relax their policies.

It will make more fiction more available to more readers. It gives writers greater freedom to express themselves. It gives readers more freedom to decide what they want to experience in the privacy of their own imagination.

If you haven't followed the Paypal censorship saga, you can see how the campaign developed by reading my email dispatches to Smashwords authors, publishers and customers. They're archived in the Smashwords Press Room (see PayPal #1, #2, #3, #4, #5).

When I received the first email from PayPal February 18 with the ultimatum to remove certain erotica content or face loss of PayPal services at Smashwords, my first inclination was to try to limit the damage so we could protect mainstream erotica from further censorship incursion. Thanks to the outpouring of opposition to these policies, I saw an opportunity to make PayPal our partner in a greater campaign to protect all legal fiction from censorship.

Credit for this breakthrough goes to the indie author community who made phone calls, wrote letters and emails, blogged and tweeted; bloggers who raised visibility of the issue; advocacy groups such as the Electronic Frontier Foundation (EFF), The American Booksellers Foundation for Free Expression (ABFFE) and the National Coalition Against Censorship (NCAC) who were the first to stand up for our authors; mainstream media who raised visibility of the story to greater levels; and last but not least, PayPal. PayPal worked with us in the spirit of partnership to understand the issues, understand Smashwords and how we represent a new model for publishing outside the traditional gatekeeping system, and to understand that fiction is fiction and literary merit should be determined by readers.

I'm sending out an email today to all Smashwords authors and publishers with more details and thanks. An archived version is in the Smashwords press room here._Posted by Mark Coker

The ABCs of E-Reading New Devices Are Changing Habits. People Are Reading More, Even While in a Kayak

[more info at the link above]

By GEOFFREY A. FOWLER And MARIE C. BACA

(See Corrections & Amplifications below .)

People who buy e-readers tend to spend more time than ever with their nose in a book, preliminary research shows.

Radim Malnic;

A study of 1,200 e-reader owners by Marketing and Research Resources Inc. found that 40% said they now read more than they did with print books. Of those surveyed, 58% said they read about the same as before while 2% said they read less than before. And 55% of the respondents in the May study, paid for by e-reader maker Sony Corp., thought they'd use the device to read even more books in the future. The study looked at owners of three devices: Amazon.com Inc.'s Kindle, Apple Inc.'s iPad and the Sony Reader.

While e-readers are still a niche product just beginning to spread beyond early adopters, these new reading experiences are a big departure from the direction U.S. reading habits have been heading. A 2007 study by the National Endowment for the Arts caused a furor when it reported Americans are spending less time reading books. About half of all Americans ages 18 to 24 read no books

People who buy e-readers tend to spend more time than ever with their nose in a book, preliminary research shows. Simon Constable and Marie Baca discuss.

for pleasure, it found.

Some 11 million Americans are expected to own at least one digital reading gadget by the end of September, estimates Forrester Research. U.S. e-book sales grew 183% in the first half of this year compared with the year-earlier period, according to the Association of American Publishers.

Comparing the E-Readers

Take a closer look at the Kindle, Nook and iPad

View Interactive

Among early adopters, e-books aren't replacing their old book habits, but adding to them. Amazon, the biggest seller of e-books, says its customers buy 3.3 times as many books after buying a Kindle, a figure that has accelerated in the past year as prices for the device fell.

It's too early to tell the reading lift will sustain after the novelty of the gadgets wears off, and the devices go mass market. But because e-book gadgets are portable, people report they're reading more and at times when a book isn't normally an option: on a smartphone in the doctor's waiting room; through a Ziploc-bag-clad Kindle in a hot tub, or on a treadmill with a Sony Reader's fonts set to jumbo. Among commuters, e-readers are starting to catch up with BlackBerrys as the preferred companions on trains and buses.

Experience WSJ professional

Editors' Deep Dive: E-Readers Crowd Market

• THE SAN FRANCISCO CHRONICLE

  Uneasiness in the e-Reader Market

• Nikkei Weekly

  Reading Japan's e-Book Market

• Dow Jones News Service

  Opinion: The E-Reader Battle Is Just Beginning

Access thousands of business sources not available on the free web. Learn More

Since getting her Kindle last year, Leslie Johnson has been reading more often and in more places—like on a kayak. On a recent trip, the 34-year-old engineer from Albany, N.Y., settled into a science-fiction novel while her husband fished. "I put it in a waterproof cover," she says.

A Writer's View

Mystery and thriller author Michael Connelly says he has about 30 e-books on his Kindle, Sony Reader and iPad, though he also still reads print books because he gets so many samples from his publisher.

"I will never stop loving the printed book," Mr. Connelly says. Yet, "I am very interested in this world. E-books are here to stay." He adds, "There is the advantage of being able to carry multiple things. I travel a lot—believe me, I notice the weight."

The first consumer e-books, which were released in the 1990s, failed to catch on among consumers who were stuck reading them on computers or tiny cellphone screens.

The Pace of Reading

Earlier this summer, Jakob Nielsen, a Silicon Valley researcher who has studied how people interact with technology for more than two decades, recruited 32 volunteers and asked them to read short stories by Ernest Hemingway in print, on an iPad and the Kindle. Mr. Nielsen timed how long it took them to read a story on each device. Compared with print, iPad readers were 6.2% slower and Kindle readers were 10.7% slower, though the difference between the iPad and Kindle results wasn't statistically significant. Mr. Nielsen suspects the slowdown is caused by the screen technology in the devices, which is still less sharp than print.

"Both devices give you a more relaxed feeling as opposed to a computer," said Mr. Nielsen, who runs research firm Nielsen Norman Group along with former Apple researcher Donald Norman.

The Future of the Book

• 51% of e-reader owners increased their purchases of e-books in the past year. Source: Book Industry Study Group survey

• 9% of consumers increased their purchases of hardcover books in the past year. Source: Book Industry Study Group survey.

• 2.6 Average number of books read by e-reader owners in a month. Source: Marketing and Research Resources

• 1.9 Average number of books read by print-book readers in a month. Source: Marketing and Research Resources

• 176% Increase in U.S. electronic-book sales in 2009. Source: Association of American Publishers

• 1.8% Decrease in U.S. book sales in 2009 from a year earlier. Source: Association of American Publishers

• 86% of e-reader owners read on their device more than once a week. Source: Marketing and Research Resources

• 51% of e-reader owners read on their device on a daily basis. Source: Marketing and Research Resources

In creating the Kindle, Jeff Bezos, Amazon's chief executive, says he set out to develop technology that could encourage long-form reading, instead of just snippets.

"Everything is about getting the device to disappear so that you can enter the author's world," he said in a recent interview. "A nightmare scenario for me would be if this device would ever beep at me while I'm reading."

Gender Gap Narrows

E-readers also appear to be narrowing the gap in how men and women read. A study, released this month by the Book Industry Study Group Inc. found that men are bigger consumers of e-books than women by a narrow margin. Among e-book buyers, 52% were men compared with 48% for women—a reversal of print books, where women buy more.

E-reader users also say that 52% of their e-books were ones they purchased, while 48% of their e-books were free because they were sample giveaways or out-of-copyright.

Libraries are expanding services that let patrons virtually "check out" an e-book through the Internet, with e-book files that automatically lock down after the end of the loan period. According to the American Library Association, 66% of libraries offered e-book loans, up from just 38% in 2005.

The most checked-out adult fiction e-book at libraries is Stieg Larsson's bestseller, "The Girl with the Dragon Tattoo," according to Overdrive, a company that provides e-book loans for more than 11,000 libraries. The same is true at Amazon, the largest e-bookstore online, where Mr. Larsson also tops e-book bestseller lists.

There are some aspects of reading a print book that e-readers still haven't been able to re-create. Digital locks on e-books make it harder to lend a book to a friend, though free works are being shared much more rapidly online than ever before. Scribd.com, a social publishing and reading website, is used to share books and documents about 10 million times each month, the company says.

ROI

• Are E-Books Worth the Money?

Page numbers are a problem for e-books, since the number of words on a virtual page depends on the size of the screen and type. Pages may be antiquated, but they're very helpful for making sure reading-club participants or students in a classroom are all on the same page. No page numbers also means there's no skipping ahead to sneak a peek at a page near the end of a book. Most e-readers have tried to replace page numbers by showing the percentage of the book read.

Range of Features

Technology has brought a range of features to books that wouldn't be possible in print. Children's author Lynley Dodd sells a title from her "Hairy Maclary" series as an app for the iPad. It lets parents or kids record themselves reading the book aloud, and a paint function lets kids color the original drawings themselves.

Journal Community

• discuss

“ The real losers in the ascendancy of e-books are public libraries who are seeing the last of their business model go out the window. ”

—Alfred Garwood

With an e-reader, readers can hold and turn pages with just one hand. Some readers hail how the devices can become large-type books with the click of a few buttons—and back-lit devices like the iPad work in bed even when the lights are off. Free sample chapters, common on most online stores, make it easier to try out—and potentially give up on—books before committing to a 400-page tome.

But paper pages do have one benefit that electronic devices don't have: They don't need to be put away during takeoff and landing on airplanes. On a recent trip to Seattle, 64-year-old Jamie McKenzie, a Bellingham, Wash.-based writer, said he felt a sense of superiority when his seatmate was asked to turn off his Kindle to prepare for takeoff.

"That guy may have had access to 10,000 books, but I was the one who was able to keep reading," he says.

Write to Geoffrey A. Fowler at geoffrey.fowler@wsj.com

Corrections & Amplifications

U.S. electronic-book sales increased 176% in 2009, while total book sales in the U.S. fell 1.8%, according to the Association of American Publishers.

Of individuals who own e-readers, 86% read on their device more than once a week, and 51% read on their device daily, according to Marketing & Research Resources Inc.

In a previous version of this article, the chart incorrectly reported the numbers, showing that e-book sales rose 1.8%, total book sales fell 51% and that among e-reader owners, 86% use their device daily and 176% read on their device more than once a week.

Publishing an ebook which is better Lulu or Amazon?

Look at Ingram's www.LightningSource.com for both ebook [adobe, ms, palm] and print books [most bindings and interior color now, colour in UK :)] and they can link you into national and international distribution online and brick/mortars, and airport book kiosks; bring your own ISBNs [www.Bowkerlink.com].

Amazon, I believe, only takes MobiPocket [for Kindle] ebooks, which you can download, set up and upload yourself from MS Word or Adobe Acrobat file.

Your $% cut can be large or small at Ingram's--you control it. Amazon Mobi is 50/50, It think.

It is feasible, once you're in Lightning Source , that you can write, edit, and publish and have on sale within a couple of weeks--all uploaded from your own computer.

You can do all this yourself, I do--with some hysterical hair-pulling, every now and then; but, I can, publish weekly or whatever and it'll be available nationally and internationally.

Or, you can have a layout editor at Elance.com or Guru.com help you (at a price), then upload the files yourself. Price your books above the print rate for print [it's pretty much ALL yours in ebooks] with a % for all the bookstores to share, and the payments (minus the printing rate) come in monthly straight to you--if you have sales.

All this costs a lot less than having a rather printer print and stack books to get damaged in your basement.

Also, Infinity Publishing / BuyBooksOnTheWeb has good low rates to typeset your files, design a cover, and distribute for you. Call [1-877-BUY-BOOK] them for a sample book, which will have all their info for setting up with them, and latest prices.

Neale Sourna

Links:

* http://www.LightningSource.com
* http://www.InfinityPublishing.com
* http://www.Bowkerlink.com

Reviewing an Old Vicious and Questionable Review That Will Not Die

New authors and publishers, and old. Chin up. "Don't let the bastards get you down." I recently reread the following review of my first to publish novel, "Hobble." I always remembered that it originally appeared alongside what that particular book review website thought was THE BEST pick. I still find it interesting and odd, to say the least.

I also find this to be one of two of my least favorite reviews: always because the reviews sounded as if the person really didn't read my work, and/or didn't have the decency to say I don't get it or I don't like this sort of thing so my review is highly skewed, or I passed it on to someone who reads this genre.

Do note that the review on my work is anonymously signed, "staff." Isn't that special and obscenely discourteous. I come naked to the party and someone hides behind "staff." I bet his staff is quite soft and inadequate or her inner staff is utterly dry and shallow. Or maybe staff has both genitalia or none. Because "staff" can say anything when too coarse and disrespectful to just place its initials on its supposed witticism.

And the bloody thing just won't die, as it always comes up on the search engines, first page often. Oh, well. My consolation is that those REAL people who read Neale Sourna's "Hobble" and who have the ability to actually read, always "get it" and can't put it down, or can't retrieve it from their lovers. That's better than one anonymous poopfest from the too inadequate to author and publish themselves.

--Neale Sourna
Other "Hobble" Reviews can be read at:
http://hobble.neale-sourna.com/
http://www.amazon.com/s/ref=nb_ss_gw/105-6637399-1494866?url=search-alias%3Dstripbooks&field-keywords=neale+sourna&x=0&y=0

PS: One last amusing bit is the use of the other book of the name de Sade as in Marquis de Sade, with whom I shall always have something of a link, as we're both born on the same day. Hm. Radical, as they used to say back in the day.
=========================================
B O O K R E V I E W

Spring 2003

Hobble by Neale Sourna

Hobble
Neale Sourna
Infinity Publishing, Pennsylvania
291 pp. $18.95

It’s books like Neale Sourna’s Hobble: An Adult Fiction that make us seriously consider giving up the reviewing of self-published books. Though well-meaning, Sourna makes just about every mistake possible with this weakly written, amateurish yarn about sex and control. The back-cover blurb lays out the story like this (normally we'd break it down ourselves, but in cases like this, it would be a waste of time):

"BENNET GILLESPIE, a brilliant but burned out, Native American surgeon, too quickly becomes entangled in an obsessively sexual, emotional tug of war for irresistible, homicidally "insane," and ... mysteriously lamed DAY, whose body and love promises loss of soul ... and life."

Sic. Simply count the ly's in the setup and you'll begin to see the problem. Now contrary to industry standards, we at ALR are champions of muscular modifier use in fiction, but authors need to use some common sense for crying out loud. Sourna shows very little. This inattention to prose fundamentals doesn't stop at verb and noun modifiers—oh no. The author commits almost every classic beginner's error: failing to identify the speaker in dialogue for pages at a time; over-over-OVERwriting; cliché; reckless, silly, and downright incorrect usage; horrendously melodramatic dialogue and narrative; general lack of descriptive elements; a droning repetitive voice prone to redundancy and self-indulgence.

The story and characters aren't bad on a basic level. A decent professional writer could have done something with the character and relationships, but Sourna uses them so ineffectively and broadly that the reader gets bored after a page or two—every page or two. The numerous sex sections, which at least show a hint of natural spark, aren't enough to pull this self-published novel out of its self-involved spiral.

Despite all the negatives of Hobble, Sourna isn't necessarily a lost cause. As we said, her basic ideas are fairly strong. A year or five in a solid critically-based fiction writing program (which is quite different from film and video writing—Sourna's alleged areas of expertise) or a no-holds-barred, rip-the-story-apart workshop environment might just make her understand how naive she was to think this book worth publishing, especially at $18.95 softcover! Our diatribe against Publish America's policies in our review of Nathan Leslie's Rants and Raves applies to Infinity Publishing's practices as well. These online publishing “stores” are preying on the meek, the young, and the yet-to-be-talented—which would be fine if these people would just stop sending their half-told tales out for review.

Unfortunately Sourna is not alone in her folly, and it is our sincere hope that this review communicates the world-wise message to all prospective self-publishers out there: Think twice before going that route. This applies especially to those under the age of thirty (or forty) with little or no experience in writing for publication. It doesn't matter how much of a genius you are—odds are the mistakes this author made in Hobble are the ones you'll make in your book, so you had better be damned sure you know the Ten-Thousand Things about writing before you throw underdone hamburger to the big dogs. True, they may eat it, but we guarantee it's not going to look pretty when it gets vomited back at you a few hours later.

-Staff-
=========================================
B O O K R E V I E W

Spring 2002

Extraterrestrial Sex Fetish by Supervert

Extraterrestrial Sex Fetish
Supervert
New York: Supervert 32C Inc
216 pp. , $15

In ETSF, a rogue author named Supervert has offered us a bizarre literary assay into parts and orifices unknown by attempting to combine philosophy, psychology, science fiction, and serial pornography (a la Sade’s 120 Days of Sodom) into a single, sound literary work.

Sound like a difficult proposition? Like a pipe-bomb text more likely to explode in the hand of its creator than in the mind of the reader? Assuredly. Should the self-inflated tenor of the author’s nom de plume give further pause to any prospective audience? Probably. Does Supervert deserve a round of applause for this blending of discipline, subject, and raw psychic fiction?

Strangely enough, he does—as well as meriting a standing O and a curtain call or two. Extraterrestrial Sex Fetish is nothing short of brilliant. Misanthropic, satirical, informative and undoubtedly shocking to many for its ongoing examination of pedophilia and exophilia (alien sex fetish), ETSF resounds as a deft dissection of the disaffected mind in the post-postmodern period. While the protagonist, a computer programmer/philosopher/practicing pedophile named Mercury de Sade thinks he has evolved into a philosophical creature quite beyond the simple apathetic sentiments of existentialism and nihilism, the author’s controlled exposition and development of de Sade’s sickness—a fetish for something beyond the boring, disgusting human sphere— shows that despite its space age manifestation, this sickness springs from the same basic earth: a deep-seated loathing for mankind. However, the inverted posture of de Sade’s misanthropy does make for unique viewing. We seldom see distaste for one’s fellows based on their frustrating inability to be or become extraterrestrial.

The format of ETSF follows a parallel development of four precisely related lines of fantasy, plot, analysis, and dissertation. “Alien Sex Scenes” chapters (ASS) represent the imaginary encounters of Mercury de Sade’s ever stalwart erogenous accompli with just about every orifice and/or skin surface available on a series of alien worlds. Death, dismemberment, intergalactic whores, detachable genitalia, sex battles, humiliation, excretory prolapse, sexual time travel, and pedophilia of the third kind are just a few of the delights that greet the protagonist on his voyage, which must be perceived in the greater context not as pornographic science fiction per se but as the stuff of the protagonist’s boiling brain.

The plot heavy “Methods of Deterrestrialization” (MOD) chapters deal with a real time liaison between Sade and a shoplifting sixteen-year-old schoolgirl named Charlotte Goddard, who Sade (in the frustrated context of his impossible fetish) seeks to convert to an alien or more accurately an alien surrogate. As with other victims in his past, his disenchantment with the veracity of the stand-in leads him to sadistic extremes. The twisted line of plot in these chapters helps bind the book together, lending a disturbed sense and subtext to some of the more abstract and clinical sections.

Chapters marked Lessons in Exophilosophy (LIE) might read like studies from a well constructed Western Philosophy textbook were it not for their often subtle connection to the perverse action in the MOD and ASS chapters. In LIE, Supervert lays out a historical progression of argument from Anaxagoras and Heraclitus to Kant, Schopenhauer, and even Sartre on questions of extraterrestrial life and sex. The convolution and bastardization of logic in his syllogisms displays de Sade’s monomaniacal psyche perfectly, while the controlled use of fetishistic obsession as handmaid to philosophical method lends a humorous lightening hand to the material. The use of veritable philosophical works to prop up a burning desire to fornicate with aliens summons to mind the old maxim of the Devil quoting scripture for his own purposes. One is often tempted to decry the protagonist’s ill use of reason until one remembers that it is the character’s disease talking; as such, every fallacy falls perfectly in line.

“Digressions and Tangents” chapters are mostly diary entries, descriptive texts, and self analyses wherein de Sade confronts and studies his demons and their psychological / cultural /physical origins. The subtitle for ETSF is Materials for the Case Study of an ET S&M Freak; the DAT chapters expand upon this principle, feeding and being fed upon by the whole as the protagonist seeks to justify, deconstruct, and even explode the basis of his fetish.

We should castigate the author for the repeated de-capitalization of Earth (though there is perhaps some textual support for this “de-capitation”) and for one or two exceedingly minor copy-editing mistakes, but since we’re sure this gem was never sullied by a trip through the entrails of the regular publishing beast, we’ll offer a sly wink instead. In the interest of clarity, ALR isn’t especially fond of the self-published book industry—it leads too many young or under-talented writers to publish long before they understand their craft—but occasionally an author like Supervert throws his work into the press, knowing full well that no publisher would ever take the chance on his book. Marcel Proust self-published Swann’s Way due to a staid and unreceptive market; in the same vein, accomplishments like ETSF need to be printed, distributed and sold.

To sum up: Had Immanuel Kant, William Burroughs, Carl Jung, the Marquis de Sade, and an overly libidinous Captain Kirk been confined to a single spacecraft to write a book, ETSF would have been the result. That this montage of reason, disease, and literary style is the work on one writer is laudable; that it not only hangs together but spins and thrums, creating a perfect, demented cosmos is a miracle; that the author of such a fantastic work is named Supervert is hysterical. If you have philosophical and transgressive cohones large enough to appreciate it, you should buy this book.

– CAW –