Wednesday, January 30, 2013

NEW EXTENDED SHORT STORY: Dia's Team Bang (3)_ON SALE Everywhere and Kindle

Dia's TeamBang_ebook cover
Dia’s the only cheerleader on the team bus filled with excited, champion ball players, managers, a middle-aged co-coach, and Mr. Dean, the one teacher / coach Dia’d open her lovely thighs wide for, anytime and anywhere, and secretly already has.

Dia would do ANYTHING for her man’s pleasure. So, Mr. D will test his girl’s trust and love for him, because the man has a banging hot surprise for her AND his teenaged athletes, on the long ride home after their championship win.

There will be slippery hot fun for all, as sweet Dia opens wide for her first willing gangbang. “Gentlemen, get in line.”

NEW, extended story!  16,006 words!! That's a long sexy trip.

Erotica, Teen, Lolita, Heterosexual, Lesbian, Bisexual / Gay, Fellatio, Cunnilingus, Assfuck, Gangbang / Gang Bang, School, Sports, Team, Rape Fantasy, Fantasy Rape, Sexy Cheerleader

 READ SAMPLE_Dia's Team Gang Bang (3) [Free online version, only 1084+ words]

TABLE OF CONTENTS:Falcons’ Team Bus—Night, Post Game
Team Bus—Her First Man - Coach Dean
_Dia Strips for Coach
_Dia Fellates Coach
_Dia’s Throatfuck Fun
_Dia Swallows Coach’s Cum
_Dia’s Cunnilingus Fun
_Dia Fucks Coach
Team Bus—Mr. Dean’s Fuck Laws
Team Bus—Who Fucks Her Next?
Team Bus—Side Games
Team Bus—Good Friend Stevie’s Turn
Team Bus—More Men
Team Bus—Gay Mr. Jones Assfucks Dia
Team Bus—Lesbian Ms. Smith Fingerfucks Dia
Team Bus—Co-Captain Yune, the Lover
Team Bus—Mr. Cross, the Roughneck
Team Bus—Dia Gets Rough Used
Team Bus—Co-Coach Carlson and More Boys
Empty Team Bus—School Parking & a Driver
Empty Team Bus—Mr. Dean Takes a Second Fuck
_____________
[excerpt, Full Short Story ON SALE] Dia’s Coach (1)
Synopsis_Dia’s Coach (1)
Mr. Dean’s House—Late Friday Night
_____________
[excerpt, Work in Progress] Dia’s Weekend with Coach (2)
Synopsis_Dia’s Weekend with Coach (2)
Mr. Dean’s Bed—Saturday Morning
Mr. Dean’s Bed—Late Saturday Morning Breakfast

Monday, January 28, 2013

The New Yorker: Happy Two-Hundredth Birthday, “Pride and Prejudice” Posted by William Deresiewicz

Happy Two-Hundredth Birthday, “Pride and Prejudice”



The most beloved novel in the [English] language was written by a rural parson’s daughter with no formal education, in ten months, between the ages of twenty and twenty-one, and published two hundred years ago today. That’s not entirely true: she revised it later, but probably not very much. Elizabeth Bennet’s story was largely composed by someone Elizabeth Bennet’s age.

austen-pride.jpgTwo hundred years. But there seemed little chance, two hundred years ago, that many people would remember either the novel or its author by now. The draft that she produced at twenty-one was rejected by a London publisher sight unseen. Other disappointments followed, and after a series of personal upheavals, she gave up writing altogether. 

But circumstances stabilized and hope returned, and by the time of her death, just four years after “Pride and Prejudice” came out (four years during which she finished “Mansfield Park,” and wrote “Emma” and “Persuasion” from scratch), her brother was willing to venture the claim that her novels were fit to be placed “on the same shelf as the works of a D’Arblay and an Edgeworth.”

How she got from there to here is a long story. 

The public soon forgot her, but her memory was kept alive, like Bach’s, among the cognoscenti. George Eliot reread all six of her novels aloud with her lover George Henry Lewes before setting sail on “Middlemarch.” Mark Twain and Charlotte Brontë hated her; Rudyard Kipling adored her; Henry James learned more from her than he was ever willing to admit. Virginia Woolf installed her at the head of the canon of English women novelists (“the most perfect artist among women, the writer whose books are immortal”). F. R. Leavis and Lionel Trilling certified her academic prestige. 

Then came the movies, and feminist criticism, and more movies, and Colin Firth, and the fan fiction, and now the ever-growing, ever-changing multi-platform media phenomenon and global icon.

Austen is inscrutable. As with Shakespeare, the magnitude of the achievement is incommensurate with the life that produced it. But in Shakespeare’s case, there is a lot we do not know. In Austen’s, there just isn’t very much to know. She grew up in a large and literate family; shared a bedroom with her sister her entire life; never went abroad, caused a scandal, sought to enter high society, corresponded with illustrious peers, got rich, went broke, or took a lover; and she died a spinster (and without question, a virgin) at the age of forty-one.

The prodigy’s genius tends to be all overflowing passion — think of Keats or Shelley, Austen’s near contemporaries. The autodidact’s tends to be all rough edges and loose ends — think of Melville or D. H. Lawrence. When we turn to Austen — and above all, to “Pride and Prejudice” — the qualities that come to mind are confidence, mastery, serenity, and tact. Especially tact. 

She spares us knowledge of herself, leaves us free to read the story through the window of her perfectly transparent prose. She doesn’t tax us with her personality. She keeps her feelings out of it — not her judgments, her feelings, and she never confuses the two.

“Pride and Prejudice” discredits one of our most deeply held beliefs: the idea that emotions have an absolute validity. Feelings are not right or wrong, we say; they just are. Or rather, feelings are always right, because they are — and we always have a right to them. 

It is a notion that was promulgated by the same feminism that helped to elevate Austen to her current eminence. So much of the feminist struggle involved asserting the legitimacy of women’s feelings. 

Emotions — the reality of female discontent within the patriarchal system — were the bedrock, in a sense, of the feminist argument.

But in the story of Elizabeth and how she learned to change her mind, Austen tells us something different. Oh, Elizabeth is very full of her feelings towards Mr. Darcy when she thinks she has the moral high ground: her rage at what he’s done to her sister Jane, her indignation on behalf of Mr. Wickham, her scorn for his aristocratic arrogance. But they all turn out to be based on false perceptions — some of them the products of those very feelings. 

“She grew absolutely ashamed of herself,” goes the little paragraph on which the novel turns. “Of neither Darcy nor Wickham could she think, without feeling that she had been blind, partial, prejudiced, absurd.” Emotions are wrong, Austen wanted us to know, when the conceptions that they’re based on are wrong. It doesn’t matter if they feel right at the time. Of course they feel right: they’re feelings! 

And we won’t grow up, or be happy, until we’re willing to acknowledge that.

So why do we love the novel so much? Because while Austen sacrifices Elizabeth’s feelings, she lavishly indulges ours. Austen’s heroes usually aren’t the wealthiest men around, or the handsomest. In many of her novels, there is something troubling about the way that things work out. But not in “Pride and Prejudice.” 

Here she gives us everything we want: the wittiest lines, the silliest fools, the most lovable heroine, the handsomest estate. And a hero who is not only tall and good-looking, but the richest and most wellborn man in sight.

He’s also kind of an asshole, which makes it even better. Do women love assholes, the way that everybody says? Well, if the novel’s epic popularity is any proof, they seem to love to win them over, anyway. “Tolerable, but not handsome enough to tempt me”—Darcy’s famous insult, the first time he and Lizzy [Lizzie] meet. 

That’s the real story, underneath the one about Wickham and Bingley and Jane, the misperceptions and coincidences. Darcy wounds Elizabeth’s sexual pride, and her victory comes — and with it, ours — when he’s made to recant and repent. Wish fulfillment doesn’t get much wishier than that. Austen tells us that our feelings aren’t necessarily right, but boy does she ever make the lesson feel good.

Darcy and Elizabeth, Elizabeth and Darcy: by now they’re nearly mythological. Just as the Greeks did with Achilles or Medea, figures who spoke to them of something permanent about the human condition, characters to orient their moral compass by, so we do not cease to tell their story — which means, to retell it. 

The movies, the zombies, the fan fiction; the sequels and variations and modernizations; Bridget Jones, “Pride and Predator,” P. D. James; the characters as African-Americans, the Bennet family as Anglo-Jews, [as Asian Indians in conflict with Indian Brits and a white American Darcy in "Bride and Prejudice"] Mr. Darcy as an angel come to save America from Satan: everybody wants to inhabit the story for themselves, to cut Elizabeth and Darcy out of the picture book and see how they’d fit somewhere else, everywhere else. 

They are archetypes of the way we want to be: clever but good, fallible and forgiven, glamorous, amorous, and very, very happy.

Two hundred years — the bicentennial. Send in the tall ships. Set off the fireworks. Darcy and Elizabeth forever.
 
William Deresiewicz is an essayist, book critic, and the author of “A Jane Austen Education: How Six Novels Taught Me About Love, Friendship, and the Things That Really Matter.
Photograph by Stock Montage/Getty.

Wednesday, January 23, 2013

AP sources: Panetta opens combat roles to women By LOLITA C. BALDOR | Associated Press

AP sources: Panetta opens combat roles to women




WASHINGTON (AP) — Senior defense officials say Pentagon chief Leon Panetta is removing the military's ban on women serving in combat, opening hundreds of thousands of front-line positions and potentially elite commando jobs after more than a decade at war.

The groundbreaking move recommended by the Joint Chiefs of Staff overturns a 1994 rule prohibiting women from being assigned to smaller ground combat units. Panetta's decision gives the military services until January 2016 to seek special exceptions if they believe any positions must remain closed to women.

A senior military official says the services will develop plans for allowing women to seek the combat positions. Some jobs may open as soon as this year. Assessments for others, such as special operations forces, including Navy SEALS and the Army's Delta Force, may take longer.

The official said the military chiefs must report back to Panetta with their initial implementation plans by May 15. The announcement on Panetta's decision is not expected until Thursday, so the official spoke on condition of anonymity.

Panetta's move expands the Pentagon's action nearly a year ago to open about 14,500 combat positions to women, nearly all of them in the Army. This decision could open more than 230,000 jobs, many in Army and Marine infantry units, to women.

In recent years the necessities of war propelled women into jobs as medics, military police and intelligence officers that were sometimes attached — but not formally assigned — to units on the front lines.
Women comprise 14 percent of the 1.4 million active military personnel.

Monday, January 21, 2013

Neale Sourna Review: Fifty Shades of Grey by E. L. James

Not sure what book others were reading last year.

Is written well enough; could be edited better with too many inadvertent British-isms confusing the narrative for an American story, even for a character interested in old Brit Lit. And there are typos.

Anastasia reminds me of Bella Swan of TWILIGHT; being a bit annoying but once you accept her as she is it made my suffering go away and her more enjoyable.

Ana is intensely unknowing in this day of knowledge access, even when told to research at Wikipedia (which has a very and in-depth info on sex and "fringe sex"); but, someone on the planet has to be this ignorant and she's it. She does have a purity of potential that thwarts their common situation and could improve it; hence sequels.

Interesting that I hear women say they LOVE HIM but hate her. Huh! Women hate a flawed female? But not a flawed male abused out of his natural state of humanity and love, who's floundering in his personal life like a fish drowning in air, is lax to change, yet is so near the water?

And Ana's flaw is actually being too ignorant. Ignorance can be corrected by research and understanding that knowledge and as her mom says often taking men at their word. Children are ignorant and grow up to know. She's not actually "innocent" as was stated in the text, at least not fully. Jesus The Christ was "innocent," knowing what would happen, yet doing it, dying violently, anyway. That is innocence in the old manner.

An ignorant person doesn't know, even when the knowledge is there in front of her and accessible, then gets spanked with the hard painful truth. If innocent, she'd put some ointment on it and say we're not doing that again and can I order new curtains for my room?

I noticed that people giggled about this book or panned it as "mommie porn" and other stupid crap. This is a nod to the bannings and outrage about THE STORY OF O back in the sixties or whatever. There are tons of statistics that say women, especially those in committed relations including husbands are like 80% not happy with sex and NEVER cum. Yet they keep on with that same old missionary; fearing "doggy style" and cunnilingus and tons of other things, let alone Anastasia and Christian.

Their sexual activities were questioned but, as stated in the story, in romance stories and in real life women are hurt on their wedding nights where blood on the sheets is REQUIRED to confirm and seal. The fact that instead of kissing her for five minutes then ramming it in is excruciating, violent and might last the entire length of marriage or sex life for some women, it's considered romantic and really creepy, I think. So much for truly gentle lovemaking; stretching, not ripping.

Anyway, plus, so many woman, today, want to say they are in charge and not like their grannies or moms who had no freedom (and truly didn't trust their husbands, their/your father or granddads) yet fear one book will make us all beg to be spanked because that's so wrong. Not gonna happen.

UNCLE TOM'S CABIN helped start a war but it was only a distillation of fears, annoyances and other bad and half-hidden human behavior and fears held up as a mirror which cut to the heart because its story mesmerized and personalized. This book does that. And this isn't about the violating pain of domestic violence between two unequal partners.

These two are equals and she has the upper hand; she can say no, or yes, and sometimes maybe. And he will agree to her command. It's a verbal contract between them (written only because we get emotional and rewrite stuff in our heads), as stated in the story it's not for courts. Or morality. Its going steady which is a thing you can't take to court if it goes awry.

And it hits on the one question men ask women maybe the most and women don't always answer_DO YOU TRUST ME?

This book asks DOES ANASTASIA (and therefore the reader) TRUST HERSELF?

Saturday, January 19, 2013

Ladies, Does This Sound Like Batman?

Not pushing or not pushing this, but his description is spot on for B-Man._NS

Catch Him & Keep Him

Can He Make You Happy For The Long Term? Your New Mr. Right Checklist



Let me ask you something:
After meeting and dating different men who you thought were good guys at first, do you really know what a man who's emotionally MATURE looks like?
Or are you finding that while you think you can tell a mature man from an immature man, you don't seem to be as good at figuring this out as you'd like to be?
Since I'm guessing it wouldn't hurt for me to shed light on this for you, let's talk for a second about what a mature man really looks like. I'll start here...

How To Know How Emotionally Mature He Is

Have you ever been dating a guy when one of those situations came up in his life that shook his foundation and challenged him - either made him re-think who he is, what he does, or what he's most passionate about?

Does He Have Commitment In Mind... Or Is He Bound To Run?

Catch Him & Keep Him
Tired of falling for men who just can't deliver when it comes to relationships and don't know what they want?
My program Inside The Mind Of A Man is about how to recognize what an emotionally mature, relationship-minded man looks like so you don't waste your time - or your heart - on a guy who can't give you the connected, lasting relationship you deserve.
I'll explain the different levels of emotional maturity so you can cut straight through the guys who'll never get it and find the guy you can really connect with and build something solid with... for the long term.
Watch Now
For example, maybe he lost his job or a particular sport or activity he's devoted to, or maybe someone close to him passed away.
If you've been dating a man when one of these kinds of situations came up in his life, you almost certainly watched him pull back from you a bit once it happened. Men often do this when they feel their life and significance is in crisis.
But here's where differences between an emotionally mature man and an immature man show up:

The Emotionally Immature Man Runs And Hides

An emotionally immature man will completely withdraw without warning. He will completely avoid addressing the issues he's facing and the feelings he's going through. Not only will he block himself out of his own feelings, but he'll block you and your relationship completely out as well.
An immature man can't admit when he's going through a challenging time, and he can't open up and see that allowing the people he's closest to and loves the most to be there to listen and support him is the best thing.
Instead, he wants to isolate himself to try and make the pain and the problem go away. But it doesn't work that way.
On the other hand, an emotionally mature man will handle things very differently...

The Emotionally Mature Man Stands Still And Lets You In

While an emotionally mature man will still feel the pain and frustration of his circumstances and might even noticeably pull back a bit in all areas of his life, he WON'T shut the woman he loves out of his heart and mind.
In fact, an emotionally mature man knows that in order to have a truly loving and honest relationship, he has to be honest about who he is and how he's feeling, even when he's feeling down about himself. And he can't hide away if he's going to stay close and loving with the woman in his life.
Emotionally mature men are willing to show their feelings, and more importantly, they're able to allow the woman in their life to "see" them even when they're going through a difficult time.
They will avoid the temptation men feel to shut down and go into "survival mode" all alone in isolation.

Have You Ever Watched A Man Go Into Survival Mode?

If you have, you know that there's no talking him down from it. It's simply a matter of whether or not the man has the mental and emotional tools inside him to handle the situation in a better way.
Mature men understand that their feelings can't simply be stuffed away or shut off, or else the relationship and the women in their life suffers as well.
If you feel you might need a little extra help when it comes to handling these moments when a man is going through a difficult situation, check out my program Communication Secrets For A Secure Relationship. I'll talk you through everything you need to know so that a man feels safe with you, and I'll give you specific tips for communicating with him in a way that brings you two closer:
Watch Communication Secrets

Maturity In Action: The Signs To Look For

Now that you're starting to get what I'm talking about, start looking for signs of emotional maturity in any and all of the men around you. Practice looking at all areas of a man's life, and you'll be able to identify a man's emotional maturity level:
Maturity Area #1: Work
Is the man able to handle adversity, criticism or even intense politics at work and remain level-headed, relatively calm, or even compassionate?
Or is he spiteful, does he talk about problems instead of thinking about solutions and how to improve personal dynamics in his work life and relationships?
Compassion and the ability to handle complex mental and emotional situations without coming unglued or doing negative or harmful things to other people is one of the best signs of emotional maturity - and sensitivity as well.
Maturity Area #2: Friends
What type of people does a man spend his time around?
It has been said that you can know all you need to know about a person simply by looking at the people they spend their time around. A man's closest friends and peers are one of the very best windows into his mental and emotional world.
Are a man's friends people of integrity? Are they doing positive things with their lives and committed to living a good life?
And are a man's friends capable of being in mature and committed relationships? Does he have any married friends who have stable relationships where both partners are relatively happy and fulfilled? Men spend most of their time with people whose values they share.
Maturity Area #3: Family
How does a man handle his relationships with his family members?
Sure, lots of people have challenging family situations, but whether or not a guy's parents are together is not what's really telling about him. It's more important whether or not he's on stable emotional footing in the way he relates to his parents.
Fighting intensely with parents, high and low emotional swings, or completely estranged situations without a clear reason can be signs of deeper emotional turmoil that's unresolved and might mean that a man will have trouble being there and being present and stable with you emotionally.

Separating The Good Guys From The Players

So you know, there are other key areas of maturity you should look for in a man to make sure you're not wasting your time with someone who isn't capable of the relationship you deserve.
My eBook Catch Him & Keep Him reveals how you can separate the relationship-ready guys from the players. Here's your chance to get the inside story from the mind of a man and find out the tell-tale (and not so obvious) signs that a guy is just wasting your time.
So that the next time you wonder if a guy is stringing you along, just jump to page 59 and know right away what kind of man you have on your hands... and how to handle him:
Download My eBook
You'll also learn the NUMBER ONE thing that scares a great guy away... and how to make sure a fantastic relationship never slips through your fingers.

Getting The Answers You Need From Him

Now, there are two ways to go about talking to a man and getting clearer about what kind of guy he is emotionally: You can be direct, or you can be indirect.
It's easiest to start off with being indirect. All you have to do is start talking about your friends, family and work (the three areas of maturity). Once you start talking and connecting, just simply ask him about these three areas in his life one at a time.
When he answers, dig a little deeper and try and get him talking about how he FEELS about these things. How does he FEEL about the people at work and his family?
Get him to talk about his friends and tell you what he likes about them and what makes them tick. You'll be surprised by how much a man will share about who he is and how he lives his life if you simply ask great questions about all three of these important areas.
Once you've talked with a man and perhaps you feel more comfortable, feel free to be direct with him. Asking more direct questions about him and his life once you've both been talking and opening up will feel MUCH more natural to a man than if you spring a direct question on him at the start of a conversation.

How To Attract A Mature Man

Now that you know how to zero in on a mature man who is capable of a stable, committed relationship with you, all you need to do is attract him.
Of course, if you've been through your share of dating disappointments and immature men, then this doesn't sound easy. But it is - IF you know how attraction works for a man and how to embody the kind of qualities a man finds irresistibly attractive in a woman.
In my eBook, I explain what draws a man in to connect deeply with you so he can't help but want to see you again and again. I'll tell you what makes a man see you as a "cool girl" he wants to get to know on a deeper level.
You'll also learn what to do and say - and what not to do and say - with a man during every stage of interaction with him from dating through exclusivity.
Once you read the male dating secrets in my eBook, you'll wish you had known about all this stuff years ago. So make sure you download and digest it before you even think about going on your next date:
Download My eBook
In order to get into a committed relationship with a mature man, you need to know how to identify him AND the specific ways to attract him. Once you master these two steps, I know your love life is going to get much, much easier... and a whole lot more fun.
I'll talk to you again soon, and best of luck in life and love.
Your Friend,
Christian
Christian Carter

Mastering "Make Or Break" Moments With Men

Mastering Make Or Break Moments
Handle the 15 trickiest situations that come up with him:
  • Gain control of your relationships
  • Prevent him from withdrawing
  • Make him want to get closer
Learn More Now

My eBook

Catch Him & Keep Him eBook
My how-to guide to quickly and easily attract Mr. Right:
  • What really turns him on - and off
  • How to tell if he's a player
  • Why and when he'll commit to you
Learn More Now
Program Catalog | Frequently Asked Questions

Wednesday, January 16, 2013

"Don't let the fear of...

"Don't let the fear of the time it will take to accomplish something stand in the way of your doing it.

The time will pass anyway; we might just as well put that passing time to the best possible use."

— Earl Nightingale: Motivational author and speaker
www.Nightingale.com

Friday, January 11, 2013

Reference_Sex Info Online: Incest Laws in the United States

Sex Info Online: Incest Laws in the United States

Incest is defined as sexual activity between close family members. It is looked down upon and forbidden in a large majority of cultures. In most Western societies, incest is illegal and punishable by law. There is some evidence that incest was controversial in ancient times, practiced by the Egyptians but frowned upon by the Romans. Incest sometimes appeared in royal dynasties, in order to keep wealth and political power within the royal families. 

Although there is some evidence of incest occurring in the past, it was by probably not too common. Incestuous marriages did occur, but they certainly were rare (Wikipedia, 2006).

Looking at the statistics today, it seems that incest is more common than people may believe.

It is estimated that one in three girls and one in six boys are sexually abused before the age of 18. Of sexually abused girls, over half are abused by their biological fathers. Uncles and stepfathers are the other leading offenders. Incest is sexual relations between two people who are so closely related that marriage is illegal or forbidden by custom.  The participants could be blood relatives or relatives through marriage. 

This definition excludes husband and wife relatives. 

One of the persons often involved in an incestuous relationship is a child. Although adult and sibling incest can occur, incest is more likely to take place between an older and younger relative. 

The most commonly reported incestuous relationship is between a father and his daughter. However, studies show brother-sister and first-cousin sexual activity occur more often. Studies have also shown that in most sibling or cousin incest situations, one or both parents seem to be absent emotionally or physically. 

According to the National Center for Victims of Crime, most cases of rape in the United States reported are within a family. 

Ninety nine percent of sexual abusers are men, and many of these men were themselves abused as children. 

Although most sexual abuse victims are females, males account for at least a quarter of those abused (ICASA).

Incest is often though of as sexual assault of children and can be a form of rape in many cases (RAINN, 2006). However, incest can also be consensual. In some cases, incest can occur between two consenting adults who may enjoy the act and their relationship. This is not often the case though, and incest can result in long-term negative consequences.

Children who are victims of incest frequently experience the following:
  • withdrawal
  • depression
  • sleeping and eating disorders
  • anxiety
  • guilt
  • academic problems

Children and adults who are victims of incest may develop a fear of sex or other sexual disorders. They may have a difficult time trusting other people, especially if the offender was someone who was once trusted by and close to the victim (RAINN, 2006).

In the United States, incest is defined as sexual contact between those so closely related that if they were to marry it would be illegal. [marriage and sex between blacks and whites was illegal and not always incest; but sometimes was_laws are tricky_NS]

Expectations about incest differ from culture to culture, as most standards for sex do, so what is considered taboo in the US or other Western cultures may not be viewed negatively in other cultures. 

In some areas of the Arab world and India for example, about half of marriages occur between first cousins (RAINN, 2006). Since different cultures have different standards for many sexual matters, it is difficult to create a worldwide definition of incest and when it should be a crime. Incest, particularly non-consensual, can frequently result in long lasting negative psychological consequences.

References

1. Illinois Coalition Against Sexual Assault. Adult Survivors of Childhood Sexual Abuse
2. Rape Abuse and Incest National Network. (2006). Incest.
3. Wikpedia. (2006). Incest.


Last Updated: May 25, 2012


About SexInfoOnline

SexInfoOnline is a website devoted to comprehensive sex education based on the best research we have to date. The site is maintained by university students from the University of California, Santa Barbara who have studied advanced topics in human sexuality.

Our primary goal is to ensure that people around the world have access to useful and accurate information about all aspects of human sexuality. If you find our site useful, don't forget that your friends, family, and coworkers may find it useful too!

Thursday, January 10, 2013

SEXUAL, SENSUAL REFERENCE: How To Give ANY Woman Multiple Orgasms And Have Her Sexually Addicted To You! by Dan & Jennifer

http://askdanandjennifer.com/sex-intimacy/orgasm-videos-tips/how-to-give-any-woman-multiple-orgasms-and-have-her-sexually-addicted-to-you/

This FREE VIDEO will show you how to give your girl the most incredible, heart-pounding sexual experiences of her entire life!
When you watch this free video, you’ll learn secrets to get ANY woman off at ANY time, regardless of your penis size or sexual stamina, and even if you’ve been with your partner for YEARS and the “spark” seems gone.

The truth is, most men don’t have a clue how to touch a woman, make her feel good and get her off during sex – let alone give her incredible, body shaking orgasms. A lot of women cheat on their partners for one reason and one reason only:

Because she is bored with you in bed!

Women love and NEED sex just as much as a man, if not more! They crave orgasms given from their partner and not just any kind of orgasm – they want their lover to make them feel incredible! Girls want wet, wild, SQUIRTING orgasms just as much as YOU want to give them to her!

If you can give a woman INTENSE orgasms, she will do whatever you want, when ever you want! If you can please your girl, she’ll let out her inner freak and become totally, completely addicted to you! (Trust us when we say that her inner “bad girl” is way naughtier than you EVER thought possible)

You Probably Didn’t Know This But….

 

Girls HATE to tell you what to do in bed!

It’s completely embarrassing for a girl to have to show you what to do during sex – so much so that she’ll either go without and wait for you to get it over with, or find someone else who already knows how to please a woman. Even if she does show you what to do, she’ll be so turned off by the time you actually do it that she probably STILL won’t be able to get off.

You NEED to know what to do to get her off, WITHOUT her having to tell you!

This is the only way to have truly great sex and get her having multiple orgasms.

If you’re like most guys, you want to learn how to make your sex life SIZZLING HOT!

You might have struggled to give your female partner an orgasm, or you may never have been able to before. Rest assured, if you have problems getting your girl to reach climax, you’re not alone.

The Truth Is, MOST Guys Can’t Give Their Girl An Orgasm!

 

Most guys don’t know the first thing about how to put their hands on a woman, so forget trying to actually get her off. If you’ve been in that position before where you try and try and try to get your lover to reach climax only to fail miserably, then you KNOW how frustrating it is.

You KNOW how frustrating it is to go down on her for the better part of an hour, without her EVER having an orgasm!

You KNOW how it makes you feel like less of a man when you can’t give her the pleasure that other guys have before! 

There have been many nights where no matter how hard you try and no matter what you do, you just can’t get her OFF!

But does that mean you should assume that it’s impossible and stop trying?

NO!

You CAN have incredible sex with your lover – sex so good, she’s having 2, 3 or 4 orgasms and she’s so wild, she’s literally soaking the sheets as you thrust into her again and again! You CAN make your partner so satisfied in the bedroom that not only will she never even THINK of having sex with another guy, she’ll be begging and pleading for YOU to do her every single night!

Even if you have a small penis, average sexual skills or low stamina, you CAN become so good at giving your lover orgasms and pleasing her sexually, that she’ll think you’re a SEX GOD?

So, are you ready to say GOODBYE to a mediocre, boring sex life?

Do you finally want to be DONE with wondering if you pleased your lover in bed, or worrying whether she will find someone else that will give her the orgasms that you can’t?

Are you READY to make your sex life as hot as the porn stars?

She WANTS You!

 

2 Girls Teach Sex is a revolutionary video system that teaches you, step by step, how to seduce a woman and how to give her orgasm after dripping wet orgasm! When you use these insider sex secrets, you’ll be able to give your girl an orgasm with just a few simple moves! These are the super hot secrets that the PROS use, but never share with anyone! That’s right, you can get your hands on the sex tips, secrets and sex positions that will turn you from an ordinary (or bad) lover into an absolute and total SEX GOD!

Who Wants To Learn About Sex From A Book?

There are tons of sex guides out there that claim to teach you how to give your lover an orgasm. While some of these sex tips may be useful, most guys can’t sit there and read a book for hours, trying to visualize different sex positions and techniques and how they would work. Guys need to SEE something to actually learn it!

This is why 2 Girls Teach Sex is DIFFERENT than any other sex instruction product out there!

And that’s why it will WORK for you!

2 Girls Teach Sex features gorgeous professionals acting out the fingering, oral sex techniques and sex positions that make their legs shake!

Wait, back up for a second.

You mean to say that this product has hot naked women that SHOW YOU exactly what to do on camera?

YES!

2 Girls Teach Sex is an instruction video, but you’re not going to have to sit there and watch someone sit in front of their webcam and read from a script about sex. How would you learn anything that way? With THIS product, you can get STEP-BY-STEP, visual instruction on how to make your lover orgasm over and over again!

What You’ll Learn In 2 Girls Teach Sex

  •  A simple twist on the missionary position that will make your penis feel 2 INCHES BIGGER to her! And she’ll feel even tighter to you!
  • 3 spots you only have to TOUCH before sex to get her squirming with anticipation and BEGGING you to be inside her!
  • How to tell if your girl is faking her orgasm (THIS is a dead giveaway! You’ll be able to tell every single time!)
  • What lesbians know about oral sex that YOU don’t
  • 6 easy tricks to give her a powerful clitoral orgasm
  • A technique that will give her an orgasm through penetration alone (she CANNOT do this by herself! She will be ADDICTED to you after this!)
When you discover the powerful sex secrets that thousands of men DON’T know, you will see five incredible changes in your sex life, LITERALLY OVERNIGHT!

Sex Will Never Be Boring Again!

 

2 Girls Teach Sex isn’t about sex tips that you use once or twice and get bored of them quickly, like so many other tips out there. These are techniques that produce an orgasm every single time, and no woman ever gets tired of climaxing!

Even if you end up sticking with your lover for months, years or for the rest of your lives, you will still be able to use the techniques you learned to keep your sex life stellar.

That’s right, it won’t matter how long you’ve been together! The sex will always be hot!

Don’t wait. Take control of your sex life now!

Get 2 Girls Teach Sex and give your woman an earth shattering, squirting orgasm TONIGHT!

Wednesday, January 09, 2013

Alt Script: Five Good Reasons to Write a No-Low Budget Script

Alt Script: Five Good Reasons to Write a No-Low Budget Script 

I believe that every screenwriter should have at least one no-low budget script in their portfolio. Even if that writer’s sole ambition is to write for Hollywood.

In this article, I want to lay out five good reasons why any writer should know how to write no-low budget, and also why getting a no-low budget film produced could be a writer’s best shot at the brass ring.

1. Writing scripts for No-Low Budget is harder than any other form of screenwriting

It may seem odd to suggest that something being harder to do, could be one of the primary reasons for doing it. However, in the case of screenwriting, it’s one of the best reasons. Show the industry that you can do something difficult and you prove that you’re valuable.

No-low budget screenwriting is difficult precisely because of what you can’t do, which is to create spectacle by spending money. A huge car chase, you can’t afford it. A gun fight, you can’t afford that either. Period costume or expensive prop builds, not in your price bracket. Basically, the lower the budget, the more the drama has to come from the relationships between the characters… or in other words, the success and failure of the project rests totally on the shoulders of the screenwriter.

Not only does the writing have to be compelling to carry the story and to hold the audience, on top of that, the core concept of the movie has to be strong enough to persuade an audience to chose to spend ninety-minutes with you, as opposed to the multi-million dollar movie with the big name actors and the mind numbing stunts.

Let me be straight with you, this is the very definition of difficult.

The good news is, if you can can persuade an audience your film is worth the effort, and then give them a great filmatic experience, without spending vast amounts of money in production, then there is very little in this industry that you aren’t capable of achieving. The creation of a high-quality, compelling no-budget drama is, for me, the holy grail of screenwriting.

2. Showcase your voice and prove its worth

Everything in the movie industry is gauged by its ability to make money. Most people in the industry, including many writers, believe this means there isn’t room for unique voices. They believe that it’s dangerous to write challenging, difficult scripts that step outside of the norm, because the greater the risk, the less likely it is that producers want to make it.

So, instead of becoming the best screenwriters they could possibly be, they settle for becoming a safe pair of hands. Their theory is that by showing the industry they know how to play nicely, they will succeed. They also believe that the best way to play nicely, is by providing the industry with a spec script which hits all the standard plot points, which is on trend, and which everyone feels confident in from a business point of view. A confidence they have in the script simply because there isn’t anything in it that can’t be explained by current script theory. Most of the teaching done relating to screenwriting is “safe pair of hands” teaching.

Or, in other words, what people teach is largely reverse engineered from previous successful Hollywood projects. There’s nothing wrong with this approach, unless, of course, you were inspired to write movies by the kinds of artists who have always trodden their own and distinctive paths.

However, the “safe pair of hands” route isn’t the only way to make your mark in the industry.

What people often forget is that the industry also supports talent, regardless of whether they understand it or not, providing they believe they can make money from it. Basically, the “safe pair of hands” rules only apply to regular folks, not to the cash-cow mavericks. There is nothing the industry respects more than mavericks who make them money, but which they can’t understand or replicate.

If you look at talent like: David Lynch, The Coen Brothers, Woody Allen, Quentin Tarantino or even Kevin Smith, these guys colour well outside of the acceptable lines when it come to choice of subject and in some cases the way they approach screenwriting. And yet, in each case, they established themselves as unique voices by making films the way they wanted to and then making money with it. Once you can demonstrate that what you do will make money, the industry doesn’t require you to play nicely, it only requires you to make more money.

What this means, is that for some writers, writers who have a distinctive voice, making a no-low budget movie can be the best way to make that distinctive voice work for you, instead of working against you. If agents and producers are telling you your script isn’t commercial, you have two choices, you can either endlessly rewrite it. Change your risky, distinctive script into something they feel is safe and normal. Or, you can make it yourself and prove its worth.

For a writer with a distinctive vision, making your own films may be your best route into the industry.

3. There is more to life than playing by the industry’s rules

Not everyone is motivated by the idea of catching the industry’s attention. There are other reasons for making films. It’s not all about furthering your career or making money. Some people just want to make the kind of films they want to make, often because they believe the industry’s output is tediously repetitive or just that they have projects they want to put in front of audiences, which the industry won’t tackle.

I know this may sound like a radical idea, but commercial viability isn’t the be all and end all of human existence. The idea of art for art’s sake is a very real thing. Not only that, there are audiences for all kinds of films, films that fall well outside of industry norms.

So, for instance, there is a small global audience for experimental filmmaking. Not only are there online groups, there are also film festivals which celebrate the innovative and unusual. One of my all time favourite films was shot on 8mm film by a couple of Eastern Europeans. It’s not the kind of film you can see on Netflix, and I was given my copy by the filmmakers themselves, at the Milan film festival. It is a film that is unlikely to be seen outside of European Film Festivals. But, it’s still a great film and the world is a better place for it’s existence.

It’s called Slow Mirror, here’s the trailer for it.

Personally, I believe one of the best reasons to make a no-low budget film is put aside the shackles of conventional thinking and to imagine what it would be like if you could write without constantly worrying about whether what you are doing conforms to the set of rules that only really exist for spec script writing. It is entirely possible to write exactly what you want to write, exactly the way you want to write it. Even if it is your intention to concentrate on commercial projects afterwards.

There is a lot to be said for giving yourself permission to be unfettered and free in your creative life. Just do it. Make a film for the hell of it and make it exactly the way you want to do it. I guarantee that there will be some people who like what you want to make.

4. Learn What’s Possible

No-low budget script writing is all about figuring out what is and isn’t possible. It means absorbing into your writing skills an understanding of what can be achieved well in production, cheaply, and what can’t. In many respects it’s the opposite of spec script writing, where you imagine something and then go out to find the resources to make your vision possible.

In practical terms, this may mean that your entire project is constructed around one particular resource. Say for instance you just happen to have access to an abandoned, ex-military nuclear fallout bunker… or perhaps you are friends with a particular actor. Writing to make the most of your resources is a completely different skill-set than writing to spec.


Photo courtesy of filmindustrynetwork.biz

What this kind of writing and filmmaking teaches you, is a working knowledge of production and what things cost. On top of that, it’s also an exercise in hiding your lack of budget from your audience. In my experience, one of the best ways to make your no-low budget movie look like you’ve spent a fortune, is to base your story in an exceptionally filmatic and free to use location.

When you think about it, this is a fairly obvious way to approach screenwriting. Find somewhere real, that your story would naturally inhabit, and write about what happens in that specific place. This idea of setting my story in real, visually interesting places, is something I learned through micro-budget filmmaking, but which I now apply to my spec scripts as well. Trust me, it a great way to work. Actually, don’t trust me, try it for yourself and make your own mind up.

Understanding what things cost, how to work around the expensive stuff, whilst retaining a movie’s cinematic integrity are all skills that producers appreciate. Being able to save a producer’s budget, by applying budget saving tricks you’ve learned in micro-budget filmmaking, is a very marketable skill for a writer to have.

5. Find Your Own Audience

In the film industry, the second you delegate one part of the process to someone else, you are giving them control not just of your current project but of future projects as well. Let me explain that, because it’s a difficult idea to take on board if you’ve spent your entire career being told the opposite.

Imagine you decide that you are only going to write scripts and therefore you are going to let your agent sell your scripts for you. You have just made a decision to delegate the sales process. You write an incredible script, which your agent uses to open a lot of doors. Your agent does a lot of preliminary meetings and adds ten or fifteen really useful producers and commissioning editors to her Rolodex.

However, just as everything is going well with your project, Guy Ritchie announces the release date of his new project, which just happens to be very similar to your project. Suddenly, your great script has gone from being hot to being untouchable (This happens all the time, by the way). As a result of this turn around of fortunes, you and your agent have a massive spat. She stops returning your calls. You are effectively without representation again.

Now, because you delegated responsibility for finding sales to your agent, your agent now has ten/fifteen useful new contacts.

You don’t. Your project opened doors, but this hasn’t helped your career one single iota, because when you delegated the process of networking to your agent, your agent gained all the benefits.

If you understand the above process, you should understand the importance of being independent.

Fundamentally, the same phenomenon applies to any step in the process between writer and audience. So, if you find your own producer, but then delegate the sale of the film to the producer, you then fail to make your own relationships with those distributors, which means your fate will always be controlled by that producer.
The important thing to learn from all of this is that you do have a choice at every single point in the process.

Some writers don’t want to sell their own work, because they don’t have the people skills, so for them an agent is a must. Some writers don’t want to learn how the business side of sales works, therefore it makes sense for them to work with producers who will do that for them. Some writers can’t imagine self-distributing their own movie and forming a direct relationship with their audience… so, they will always rely on a distributor to do that for them.

It’s all about choices. But at least we should know that those choices are there to make.

Conclusions

I genuinely believe that any writer who is serious about their craft should have at least one no-low budget script in their slate. I believe this because no-low budget script writing offers writers a perspective on screenwriting that isn’t given in any of the current tomes on “how to” write for film. It’s not taught anywhere, simply because the “how to” industry still sees writers as servants to the industry, as opposed to artists in their own rights.

So, it teaches writers to be a safe pair of hands, rather than to be bold and innovative. On top of that there are a whole heap of useful, pragmatic skills to be acquired. Every producer loves a writer who can write to a specific budget.

Ultimately, no-low budget screenwriting is about a writer deciding to make the films they really want to make, regardless of whether they make money or whether they will appeal to mass audiences. There is something deeply satisfying about having a direct and honest relationship between what you want to write, as an artist, and what is presented to audiences. And, the truth of the matter is, the only way you’ll ever be given the opportunity to develop a unique voice in this industry is if you are able to prove that your unique way of working has commercial value.

A writer who can create their own Blood Simple, their own Reservoir Dogs, their own Eraserhead, or even their own Clerks, can pretty much write their own ticket. Writers like that get a lot more freedom to make the films they want to make, than any writer who has crawled their way through the spec script system.

Distinct voices in the industry earned those freedoms, by taking the risks themselves and creating their own audiences.

Related Articles:
Tools to Help:
Producers http://www.scriptmag.com/features/alt-script-five-good-reasons-to-write-a-no-low-budget-script?et_mid=597812&rid=232834455