Showing posts with label amazon. Show all posts
Showing posts with label amazon. Show all posts

Tuesday, November 08, 2016

Neale Sourna Short Stories from Novels / Novellas


Short stories collection novel_Dia

DIA: The Novel

Complete novel unpublished 

       Excerpts from the compiled stories about our favorite naughty cheerleader, her sexy coach, and his team of men and one woman.
1) Mr. Dean's been good and strong, resisting her; but, he is weakening....
        And lovely Dia always gets what she wants.
2) Now, he's building a young woman to satisfy his needs and appetites, molding youngster Dia into the kind of lover he wants, teaching the willing teenager all sorts of naughty things she eagerly wants to learn and accomplish.
3) Anything to please Mr. D; including his hot game with his team.
4) More...
=====================

Novel excerpts: All Along the Watchtower

ALL ALONG THE WATCHTOWER

unpublished

       Novel Excerpts from  Book One & Book Two of the ancient historical fantasy. There are all kinds of Powers and Loves.
        A deadly legendary General ("The Destroyer") his greedy King ("The Usurper") and the woman he has crossed thousands of leagues to reach, a Princess Royal, War Chief, and supernatural Shaman of a nation confederation of Central Asian steppes horse nomad tribes.
        What can conquerors accomplish among horse people who wear gold, their women are warriors, and the woman he loves has Powers neither he nor his king can comprehend, nor stop?
=====================


Novel excerpts: Aegis

AEGIS

Novel unpublished

        Novel Excerpts from our favorite under the covers cop. 
        She's a Hip Hop undercover urban detective blissfully ensnared in her destructive "no love" lifestyle with two fellow cops, brothers, until her sex partners, two dangerous billionaire brothers with agendas of their own, when their three-way control of her turns murderous; driving her for refuge, to an infamously scandalous wounded Federal Marshal.

=====================


Novel Becca DuMaurier excerpts

BECCA DuMAURIER

novel unpublished.

        It's 1688, in the midst of the "Glorious Revolution," an English civil war between Protestants and Catholics which has international players interested from France, Ireland, and the Netherlands.
        But, British courtier and widow Rebecca DeLann DuMaurier has more personal cares; she is on the run from a forced marriage to an elderly earl and general; returning home to her stormy ocean-tossed Cornwall, where pirates sail the high seas and stalk the many cliff coves.
        Cornwall's rocky, treacherous coast proves merely a stepping stone for lovely Becca, her soldier fiance and an intriguing Irish Catholic gentleman pirate Becca will soon meet just steps from her family home.
Novel Excerpt.
Original short stories links.
Film short preview.
amazon, ancient, billionaire, cheerleader, cop, detective, forced marriage, glorious revolution, neale sourna, novel excerpt, novella, pirate, runaway bride, short stories, sorcery, teen, undercover, warrior 

Sunday, January 17, 2016

The Shatzkin Files / There is very profitable revenue that the organizational structure of big publishers makes it hard for them to get / Posted by Mike Shatzkin on January 14, 2016

In our Logical Marketing work with partner Peter McCarthy over the past couple of years, helping publishers with the next-phase challenges of digital marketing, we have identified three specific cross-functional opportunities that exist in every publishing house that are especially difficult for the biggest ones to address internally. 

All three of these can unlock substantial revenue and save the house from going down costly rabbit holes trying to address pain points that are clearly felt but not so clearly understood.

All of them are obvious to one degree or another (and have previously been talked about in some fashion on this blog), so they are being addressed in ad hoc ways. But structural barriers, most importantly organizational silos, make it hard for companies to evaluate them fully and come up with solutions that maximize the opportunities. The effort to take a systematic approach would have a big payoff for any of these. For that to happen, they’d have to be elevated to strategic issues being examined by the highest levels of the company.

1. AUTHORS. Author activity is becoming an increasingly important component of any book’s marketing impetus. Publishers not only don’t control the author efforts the way they do the marketing the house executes itself, often what the authors do isn’t even evident to them. That means the work by the authors is not included in the overall picture house marketers have of what is being done for the book. (And that can lead to some misleading analysis of effort and reward.) 

In most houses, editors serve as the point people for interacting with authors. They are neither trained nor supported for the increasingly critical and multi-dimensional role of advising on marketing and assuring that house and author efforts are, if not integrated, at least aware of each other. This effort depends almost entirely on the skill and initiative of the individual editors. There are few, if any, repeatable mechanisms in place to coordinate the author-based marketing efforts with the house’s other efforts.

2. GLOBAL. Both online accounts, most importantly Amazon but others as well, and Ingram have global reach that grows every day. The publisher’s metadata, telling accounts where they can offer the book and at what price, and the publisher’s marketing efforts combine to influence how effectively sales opportunities outside the home market are exploited. The reps who call on Amazon or Ingram are not adequately supported to address this the way they should be. They neither have enough understanding about where U.S. Amazon or Ingram can sell effectively nor about the house’s marketing efforts now being directed to offshore markets where real sales could result. 

The marketing piece is definitely non-trivial and how well it is done varies both across houses and, within houses, across markets. Developing and applying audience understanding, market-specific pricing, and scaled global marketing and publicity to many disparate markets worldwide is a huge challenge.

3. BACKLIST. Allocating incremental efforts to marketing backlist titles, which is a clear opportunity in the no-shelf-space digital age, defies the basic organization of any large publishing house. Publishers have time-honored processes and rules to allocate marketing spend and effort to books in their initial push, but not after it. Unlike the other two challenges, this one has no “natural” in-house owners. But no matter who ultimately owns the decisions, information needs to be developed to support them that isn’t aggregated and delivered now. 

Some books have a big built-in “margin advantage” because their advances will never earn out — the house gets to keep the part of the sales dollar that would go to royalties — and anybody managing these decisions would want to know that. They would also want to know which books have living authors and for which books the author is dead. They’d want to know which books have authors still active with the house or were signed by editors still active. And they’d certainly want to know which books had active marketing still taking place by an author or any other interested party. In other words, there needs to be the right combination of marketing information, technology, and staff for backlist organized into a workflow that does not yet exist anywhere.

All three of these opportunities are very difficult for anybody in-house to analyze and referee, even if there is high-level recognition of the opportunity, good systems-development capability (because the existing systems will not be adequate), and the will on everybody’s part to cooperate. The fact that they are cross-functional means there is no natural “home” for ownership of the solution in any house (even though the author and global opportunities would appear to have nominal owners — the editors and the account managers — in the current configuration).

All of them require marshaling data that is not routinely assembled in any house now. They require some funding. And they require placing authority — or at least some very powerful levers for persuasion — in somebody’s hands to do things that will still want substantial support from their colleagues and, perhaps, take some decisions away from them.

These three challenges are all being addressed in some fashion at the big houses. But the need to respect existing structures means they are addressed in a haphazard — situational rather than comprehensive — fashion. Every big house has coordination with authors on marketing taking place. Every big house has export sales through Amazon and other online retailers and Ingram in places the U.S.-based sales team never thought about in the past. And every big house tries to get digital marketing and sales benefits for its backlist.

What no house we’ve seen has managed for any of these three cases is the development of policies and workflows to maximize the potential opportunities across the entire output of the company. The opportunities here are, one book at a time, almost unavoidably obvious, so they are addressed in some fashion. But we know of no house where there is specific ownership of any of these challenges with somebody having the power to assemble the information and, as needed, implement cross-functional processes to address them. What inevitably results is ever-more-widespread recognition of the missed opportunities without a commensurate capability to fix the problem.

Oddly enough, smaller houses have some advantages here because they don’t suffer the handicaps of scale. Far fewer books means that ad hoc solutions are proportionately more effective. They have less bureaucracy keeping the author tethered to the editor relationship, so it is easier for marketers and editors to collaborate around promoting synergistic marketing between the house and the author.

Fewer titles and the greater sharing of information inherent to a smaller house also make both the global and backlist opportunities easier to grasp. Of course, they also have less in the way of resources to help authors with tech, or to do marketing work that will pay off in far-away places.

And the challenge of maximizing the backlist is orders of magnitude easier with a total title output that everybody can keep in their heads. Big publishers with literally tens of thousands of backlist titles need systems and rigorous monitoring of data and metadata to identify where to put additional effort.

Within each of the big houses, the first requirement to move on any of these is an overall situation assessment and some quantification of the size of the opportunity they present. That requires both data-gathering and collecting insights from key operators.

No matter what is found through that discovery effort, there will be choices for a house to make among possible solutions. There is no single universal answer — no “magic bullet” — for any of these. 

What’s best for each house will depend on existing procedures, personnel, culture, and capabilities. For some houses, the biggest challenges will be around developing and implementing the tech they need. 

For others, the bigger hurdle might be imprint silos. In other cases, a lack of transparency in international markets might be the largest obstacle.

The questions that need to be addressed are pretty clear and those are the same across houses. Should editors continue to handle all marketing conversations with authors, or should there be designees from the marketing department to take that role for some things? (We’ve seen that solution implemented in some places, but not systematically.) 

Do the Amazon or Ingram rep teams need to have global or export specialists (perhaps some already do), or should books just be allocated among the existing teams with foreign market opportunities being one of the considerations when they are divvied up? 

Does somebody in each publishing group take responsibility for marketing backlist, or is that role assigned to the sales department? And, in all cases, what systems are they using to do what they do?

Since no house we know has started with an assessment to bring organizational consensus to the reality of the opportunity and its size, these questions are addressed from the subjective perspective each imprint or function brings to the conversation.

Only by starting with an agreed understanding of each of these opportunities can there possibly be any consensus formed about how to address them. And as long as that it isn’t done, revenue is being left on the table and marketing money is being spent in something less than the most effective possible ways.

Thursday, October 31, 2013

PETITION: "Amazon, Barnes and Noble, KOBO: Leave our self-published and/or Indie authors alone."

PETITION.

http://www.change.org/petitions/amazon-barnes-and-noble-kobo-leave-our-self-published-and-or-indie-authors-alone#share
There is a LARGE amount of people who read this genre as a way to escape their reality. We are all consenting adults, you need to own a credit card to be able to purchase said books, so why all of a sudden start "cracking down" on contolling such.

Why is okay to sell "adult products" on said websites but not FICTIONAL reads.

What happened to freedom of speech?! LEAVE OUR EROTICA ALONE!!

**This petition is NOT condoning non-fictional beastiality, incest, pediphilia or other things of such 'extreme' nature**
To:
Jeff Bezos, CEO of Amazon
Michael Serbinis, CEO of KOBO
Leonard Riggio, Founder and executive chairman of Barnes and Noble
Leave our erotica and self-published Indie authors alone.

Sincerely,
[Your name]

Wednesday, October 16, 2013

Oh, so this is the new fire under Amazon's frenzied new censorship emails to we authors. And what is legally "offensive"?

Unfortunately, they're not "walling off our titles" but trying to get us to redress or censor what they've already accepted and sold, often, for years; at Kindle and at the former Mobipocket site, and the old Amazon setups of Amazon Shorts and when it used to sell other ebook types.

As if they've stopped selling Jenna Jameson or all the visual "porn". Erotica and writing "porn" are shocking, but you can stop reading, people, after all. Or firewall or set up disclaimer entries to the materials like most hardcore erotic sites do anyway. 
 


Not twist authors arms to "redress," literally, repackage titles, descriptions, and covers from materials they've accepted under contract and from which they take about 50% of income. _NS
 

Amazon removes abuse-themed [as they assume through the titles alone_NS] e-books from store


Amazon logo 
 
Retailer Amazon has removed several abuse-themed e-books from its Kindle Store after a report highlighted titles depicting rape, incest and bestiality.

Titles such as Taking My Drunk Daughter had been on sale.

Amazon and Barnes & Noble both say they are removing books found by technology news site The Kernel, but many others still remain, the BBC has found.

WHSmith and Kobo, which feature titles with similar themes, are yet to respond to requests for comment.

The BBC found that on Amazon's store, the search function automatically suggested explicit topics to users typing seemingly innocuous keywords - without age verification taking place.

Amazon has not responded to the BBC's request for comment on the issue, except to confirm that the specific books listed by The Kernel had been removed.

Barnes & Noble said in a statement the titles were "in violation" of its policy on content offered in the NOOK Bookstore and were in the process of being removed.

"When there are violations to the content policy that are brought to our attention, either through our internal process or from a customer or external source, we have a rapid response team in place to appropriately categorize or remove the content in accordance with our policy," it said.

Justice Minister Damian Green told the BBC "the government shares the public's concerns about the availability of harmful material."

Self-published

The titles can be found in the self-published section of the retailers' sites - an area where authors can offer their own work. The companies take a percentage of the sales made through their stores.

One lawyer told the BBC that the retailers could find themselves guilty of a criminal offence for allowing such content to be found without protection mechanisms.

"The directors of Amazon have a very difficult question to answer: why are they making profits from pornography which, on the face of it, seems to be criminal?" said Mark Stephens, former chairman of the Internet Watch Foundation, a body responsible for monitoring criminal content online.

However, many of the authors have taken measures to stay within the law, adding disclaimers to their descriptions, such as saying characters were "over 18" or "step-daughters".

On Amazon, guidelines for self-publishing state: "We don't accept pornography or offensive depictions of graphic sexual acts."

It adds: "What we deem offensive is probably about what you would expect."

The other retailers give similar guidance.

In July, Prime Minister David Cameron said the government intended to make it illegal in England and Wales to possess online pornography depicting rape.

But it is unclear whether the written word - currently governed by the Obscene Publications Act (OPA) - will come under the proposed legislation.

Under the OPA, publishers have a duty to protect the public from accidentally encountering material that could outrage public decency, said Mr Stephens.

A spokesman for the Association of Chief Police Officers told the BBC: "Rape is a serious criminal offence which has a physical, emotional and psychological impact on victims. It's very unpleasant and distasteful to use such a harrowing experience as the basis for entertainment and enjoyment.

"Investigating offences of rape is a particularly complex process because it often rests on the issue of consent."

'Censorship'

John Carr, secretary to the Children's Charities' Coalition on Internet Safety, said parents would be "shocked" at what content was discoverable.

"At the very least there should be a certain class of material that is adult, which ought not to be universally accessible," he told the BBC.

However, others felt that Amazon's removal of some titles amounted to censorship.

"We outlaw snuff films, child porn and, increasingly, revenge porn, because actual people are harmed during their production," wrote PJ Vogt on OnTheMedia.org.

"Erotic fiction concerns fake characters who don't exist in real life."

Mr Carr stressed that he did not condone censorship, but that the content needed to be walled off.

"If this was a Soho sex shop, I wouldn't take the same view. I am concerned that this is next to things kids could search for."

Thursday, March 07, 2013

Amazon Wants to Get Into the Used E-Book Business — Or Bury It By Marcus Wohlsen

Amazon Wants to Get Into the Used E-Book Business — Or Bury It




Photo: Ariel Zambelich/Wired
There is no such thing as a dog-eared e-book — each copy is forever perfect. But a new Amazon patent could go a long way toward making the digital media in our lives a lot more like the physical version. 

Last week, Amazon patented a way to sell “used” e-books, music, videos, apps and other “digital objects.” 

The marketplace described in the patent would let such exchanges take place by cutting off the seller’s access to a piece of digital content once the buyer paid.
 
If the world’s largest online retailer opens the door to digital yard sales, the result could upend the business models of already struggling book publishers and record companies, not to mention thriving digital marketplaces like iTunes, Google Play, and Amazon itself. That is, if Amazon ever really intends to make used digital sales a reality.
 
Here’s how Amazon has sketched out the way it would work in the patent. The proposed used marketplace would work similarly to Amazon’s Kindle e-book lending process. Currently if a publisher grants Amazon the rights, when a Kindle customer “buys” a book, they have the option to loan the access rights to that digital file to friends or family that are also Kindle users. 

While the book is on loan, the original owner of the book is unable to access the e-book on any Kindle device. It’s still on those devices, but the access rights to the book have been transferred temporarily to the person with the loaned e-book.
 
The proposed used digital marketplace would take that one step further. Instead of loaning the access rights of an e-book, music file, video or application, in exchange for some cash, the original owner of the digital file would transfer the rights to use that file to another party permanently.
 
If the file were downloaded to a device, after the sale, the original owner would be unable to access the file. the data would still be on the device until deleted by the original owner, but access to the contents of that file would be turned off.
 
Amazon’s lending feature has become popular among Kindle users, and adding sales seems a natural next step, but financial and legal complications may still stand in the way, all stemming from the key differences between the virtual and the physical.
 
First, digital content is infinitely reproducible. No technological limit exists to how many times a single digital original can be copied and resold. Amazon’s patent doesn’t describe any breakthrough technology. Instead, it secures Amazon’s right to a technique for what the patent calls “maintaining scarcity.”
 
Second, every digital copy is a perfect copy.
 
“There are no dog-eared pages or scratches or nicks or cuts or highlighter marks or whatever,” says Bill Rosenblatt, a consultant and expert witness in digital content patent cases. “It’s the same exact product.”
 
In other words, a customer given the choice between a “new” e-book and a less expensive “used” e-book will buy the used copy every time. The extra expense of “new” won’t get you anything better. So why would Amazon want to get into a business that would seem to undercut the business they’re already in?
 
Rosenblatt believes that a digital resale marketplace wouldn’t ultimately make Amazon a lot more money on books or music, at least not at first. But he thinks it would move much more of Amazon’s digital content business beyond the interference of publishers, just as publishers can’t dictate the terms of, for example, the sale of used physical books on Amazon. 

Just as with physical books, publishers would only have a say — or get a cut — the first time a customer buys a copy of an e-book. The second, third and fourth sales of that “same” e-book would be purely under Amazon’s control.
 
Such an arrangement could also give Amazon’s growing business as a publisher itself a boost, Rosenblatt says.
 
“If Amazon is allowed to get away with doing resale transactions without compensating publishers, then what they can do is say, ‘hey authors, sign with us and we’ll give you a piece of the resale,’” he says. “That could attract authors who might otherwise sign with traditional publishers.”
 
At the same time, Amazon’s patent leaves room to head in a different, more cooperative direction.
 
Buried in the patent is language spelling out that the technology Amazon intends to use will have the ability to limit the number of times a digital good could be resold or loaned out. Amazon could use that constraint to strike bargains with publishers and authors to cut them in on used digital sales, which doesn’t happen with used physical media. 

Here’s your take the first time it an e-book or game sells, the second, the third, etc. 

Any arrangement where authors and publishers also make money could be useful leverage for Amazon to head off legal challenges bound to result otherwise.
 
As always, the question of copyright infringement comes into play whenever there’s a transfer of digital goods. If Amazon’s reseller marketplace ever comes to fruition, we don’t know whether Amazon will acquire the permission from rights holders to enable the loaning or reselling of digital goods at scale. 

(Amazon declined to comment for this story.) But whether permission from rights holders is even required is another issue.
 
In federal court in New York, Massachusetts-based startup ReDigi is facing off against Capitol Records, which called the young company a “clearinghouse for copyright infringement.”

ReDigi lets people buy and sell all kinds of copyrighted digital content residing on their computers. ReDigi founder and CEO John Ossenmacher argues his company’s technology actually preserves the copyright status quo by moving “used” digital content bit by bit from a seller’s computer and into the cloud before the new owner can access it.
 
As he reads it, Ossenmacher says Amazon’s patent skates closer to the copyright edge by using a technique he describes as “copy and delete,” by which a copy of the seller’s cloud-based content is made and placed into the buyer’s cloud before the first version is deleted. That copying, he says, sets Amazon apart from what his company is doing, and he thinks could get Amazon into more trouble with rights holders. 

“From the dawn of time people have been able to buy and sell goods regardless of the form they were in,” Ossenmacher says.
 
But some doubt whether Amazon really intends to uphold that commercial tradition.
 
Mike Shatzkin, a publishing veteran who now works as a consultant focused on the industry’s digital future, doubts Amazon really does want to get into digital resales.
 
“I would not leap to the conclusion that the fact that they have this patent means that they intend to go into this business,” Shatzkin says. “They may be patenting it to keep it off the market.”
 
But some intellectual property experts don’t believe the patent is written in a way designed to quash other digital marketplaces from getting under way. Amazon may simply be striking first in what promises to be the inevitable battle among the expected players — Apple, Google, eBay, Facebook — over used digital content.
 
“There is no way as I read this that this could be used to block somebody else,” says Robert Aronoff, managing partner at Pluritas, a San Francisco-based investment bank that advises companies on intellectual property transactions. “It’s just the evolution of the marketplace,” Aronoff says. “You empower and develop a market which allows users to trade. It’s electronic eBay.”
 
Additional reporting by David Kravets, Michael V. Copeland and Roberto Baldwin.


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Monday, April 09, 2012

BUY BANNED Short Story / Novella_Gay, Bi, lusty teen love... BANNED by Amazon Kindle! Get It Here!!

Gay, Bi, lusty teen love ebook...

BANNED by Amazon Kindle! Without explanation. My first teen gay sex, lust, love pub. Hm.

Get It Here!!

...on Sale NOW!

Kindle / Mobipocket
Adobe PDF

MS Reader




PayLoadz Affiliates welcome! Great generous percentage for your help!

Tuesday, January 03, 2012

$3.2 billion in revenue/2011: Tablets, e-readers closing book on ink-and-paper era

Kindle Fire photo via AFP

Tablet computers and electronic readers promise to close the book on the ink-and-paper era as they transform the way people browse magazines, check news or lose themselves in novels.

“It is only a matter of time before we stop killing trees and all publications become digital,” Creative Strategies president and principal analyst Tim Bajarin told AFP.

Online retail giant Amazon has made electronic readers mainstream with Kindle devices, and Apple ignited insatiable demand for tablets ideal for devouring online content ranging from films to magazines and books.

Readers are showing increased loyalty to digital books, according to the US Book Industry Study Group (BISG).

Nearly half of print book buyers who also got digital works said they would skip getting an ink-and-paper release by a favorite author if an electronic version could be had within three months, a BISG survey showed.

“The e-book market is developing very fast, with consumer attitudes and behaviors changing over the course of months, rather than years,” said BISG deputy executive director Angela Bole.

Concerns about ebook reading are diminishing, with people mainly wishing for lower device prices, according to the survey.

Owning e-readers tended to ramp up the amount of money people spent on titles in what BISG described as a promising sign for publishers.

Major US book seller Barnes & Noble responded to the trend by launching an ereader, the Nook, and other chains are picking up on the strategy, according to Juniper.

“I’m among those who believe that the new e-book craze expands a person’s interest in reading overall,” said Gartner analyst Allen Weiner.

“When you can get someone excited about reading in any way, you turn on the reading ignition and it leads to all content,” Weiner said, adding that ink-and-paper works will continue to hold a place in the mix.

Bajarin believes it will be at least a decade before print is obsolete.

“For one thing, there is a generation of people above 45 who grew up with this reading format and for many this will remain the most comfortable way for them to consume content for quite a while,” he said.

“However, younger generations are already moving rapidly to digital representations of publications and, over time, they will be using e-books and tablets to consume all of their publications.”

Weiner expected hardback or paperback books to be preferred in some situations, such as home reading, even as digital dominates publishing.

“I think it is a myth that it is going to kill the print book business,” Weiner said.
“Will it force publishers to think differently?” he asked rhetorically. “Absolutely, but it doesn’t spell the demise of print (book) publishing.”

Newspapers and magazines, however, should read the digital writing on the wall, according to analysts.

“Newspapers and magazines have different issues,” Weiner said.

“Print will wind up extinct for newspapers, while magazines will need to figure out the balance between print and digital,” he contended.

Newspapers spend a lot of money printing and distributing daily editions that can’t be kept as fresh as stories on the Internet.

Meanwhile, advertising has been moving online where audiences can be better targeted and advertisers pay when people actually click on ads.

In 2011, media colossus News Corp. launched an iPad only publication, The Daily, as newspapers big and small improved mobile websites and invested in applications to get their publications on tablets.

Struggling Internet pioneer Yahoo! has been recreating itself as a platform for “premier digital content” and in November it launched a Livestand news magazine tailored for the iPad.

Livestand weaves video, pictures and text in easily navigated presentations in a challenge to popular iPad social magazine application Flipboard.

Time Inc. last month brought in digital advertising veteran Laura Lang to run what is the largest magazine publisher in the United States.

“Magazines are still figuring it out,” Weiner said of adapting to the smart tablet age. “I think they are in evolution.”

As if online competition weren’t enough for the print magazine business, the US Postal Service is proposing to do away with weekend deliveries in a move that could make weeklies seem like even older news by the time they arrive.

Agence France-Presse
Agence France-Presse
AFP journalists cover wars, conflicts, politics, science, health, the environment, technology, fashion, entertainment, the offbeat, sports and a whole lot more in text, photographs, video, graphics and online.

Saturday, November 19, 2011

Writers' Forum_Re: Amazon changing your pricing to free issues

Re: Amazon changing your pricing to free issues

I don't have pricing problems with them; I do have censor challenges with them cockblocking random storylines.

My bi/gay academy novella about powerful, rich, and randy North Coast student Tad his twink and his teacher and my compilation of other previous short story volumes of North Coast fellow students was also blocked--both without explanation, just a we've cold cocked it--while the individual stories that were compiled are still available on Amazon/Kindle. But not on their Mobipocket which they're now fully consolidating within Kindle.

Tad was my first gay story, so that seemed suspicious.

The rest are highly incestuous and say so in titles but not blocked until consolidated.

Ama. does monkey with prices, I normally sell free material for that .99 USD; but, I also, add additional material, put that notice in the marketing and sell for a bit more.

Do look into going full publisher through www.lightningsource.com of Ingrams they are the largest PRINTER AND DISTRIBUTOR to ALL BOOKSELLERS on the planet, or in the US, or something. They serve random house and ME!!!!

Free uploads of ebooks, set your own prices, and the POD service has gone to eproofing instead of mandatory print copies for POD, making that free, as well, or nearly free.

LS handles the heavy printing, distribution, and paying me monthly, plus easily connect me with Bowker ISBN's include a fifty percent discount I spent my movie extra earnings on of 100 isbns for half price.

I just have to add my marketing and, most important, WRITE my stories and tool my files (or hire someone else to do full formats, been talking to http://www.epubconversion.com/ recently because I'm pretty much thinking the brain cells I'm burning to figure out epub, despite being able to pdf / mobi - kindle / ms reader which is dead now is a waste of my skils).

Anyway, you upload to their higher standards than Amazon's (I've seen some unreadable things there with all smart punctuation codes broken into code not symbols). LS reaches world wide with print groups in US, UK, and Australia, shipping worldwide, plus airport kiosks that print as your wait and cool cutting edge.

Also, I've been looking into EbookMall http://www.ebookmall.com/author/neale-sourna They pull my books from LS, just like Lulu, BN, and everyone else for ebook or print book.

Neale

www.neale-sourna.com
www.pie-percept.com
www.writing-naked.com

Friday, July 29, 2011

Stolen from J.S. Wayne

Writer: (n) A supernatural creature with the ability to alchemically transform caffeine, nicotine, and a dictionary into literature.

J.S. Wayne [Red Roses and Shattered Glass,available now at www.nobleromance. com or www.amazon.com!]

Saturday, September 04, 2010

The ABCs of E-Reading New Devices Are Changing Habits. People Are Reading More, Even While in a Kayak

(See Corrections & Amplifications below .)

People who buy e-readers tend to spend more time than ever with their nose in a book, preliminary research shows.

[reading] Radim Malnic;

A study of 1,200 e-reader owners by Marketing and Research Resources Inc. found that 40% said they now read more than they did with print books. Of those surveyed, 58% said they read about the same as before while 2% said they read less than before. And 55% of the respondents in the May study, paid for by e-reader maker Sony Corp., thought they'd use the device to read even more books in the future. The study looked at owners of three devices: Amazon.com Inc.'s Kindle, Apple Inc.'s iPad and the Sony Reader.

While e-readers are still a niche product just beginning to spread beyond early adopters, these new reading experiences are a big departure from the direction U.S. reading habits have been heading. A 2007 study by the National Endowment for the Arts caused a furor when it reported Americans are spending less time reading books. About half of all Americans ages 18 to 24 read no books

People who buy e-readers tend to spend more time than ever with their nose in a book, preliminary research shows. Simon Constable and Marie Baca discuss.

for pleasure, it found.

Some 11 million Americans are expected to own at least one digital reading gadget by the end of September, estimates Forrester Research. U.S. e-book sales grew 183% in the first half of this year compared with the year-earlier period, according to the Association of American Publishers.

Comparing the E-Readers

Take a closer look at the Kindle, Nook and iPad

Among early adopters, e-books aren't replacing their old book habits, but adding to them. Amazon, the biggest seller of e-books, says its customers buy 3.3 times as many books after buying a Kindle, a figure that has accelerated in the past year as prices for the device fell.

It's too early to tell the reading lift will sustain after the novelty of the gadgets wears off, and the devices go mass market. But because e-book gadgets are portable, people report they're reading more and at times when a book isn't normally an option: on a smartphone in the doctor's waiting room; through a Ziploc-bag-clad Kindle in a hot tub, or on a treadmill with a Sony Reader's fonts set to jumbo. Among commuters, e-readers are starting to catch up with BlackBerrys as the preferred companions on trains and buses.

Editors' Deep Dive: E-Readers Crowd Market

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Since getting her Kindle last year, Leslie Johnson has been reading more often and in more places—like on a kayak. On a recent trip, the 34-year-old engineer from Albany, N.Y., settled into a science-fiction novel while her husband fished. "I put it in a waterproof cover," she says.

A Writer's View

Mystery and thriller author Michael Connelly says he has about 30 e-books on his Kindle, Sony Reader and iPad, though he also still reads print books because he gets so many samples from his publisher.

"I will never stop loving the printed book," Mr. Connelly says. Yet, "I am very interested in this world. E-books are here to stay." He adds, "There is the advantage of being able to carry multiple things. I travel a lot—believe me, I notice the weight."

The first consumer e-books, which were released in the 1990s, failed to catch on among consumers who were stuck reading them on computers or tiny cellphone screens.

The Pace of Reading

Earlier this summer, Jakob Nielsen, a Silicon Valley researcher who has studied how people interact with technology for more than two decades, recruited 32 volunteers and asked them to read short stories by Ernest Hemingway in print, on an iPad and the Kindle. Mr. Nielsen timed how long it took them to read a story on each device. Compared with print, iPad readers were 6.2% slower and Kindle readers were 10.7% slower, though the difference between the iPad and Kindle results wasn't statistically significant. Mr. Nielsen suspects the slowdown is caused by the screen technology in the devices, which is still less sharp than print.

"Both devices give you a more relaxed feeling as opposed to a computer," said Mr. Nielsen, who runs research firm Nielsen Norman Group along with former Apple researcher Donald Norman.

The Future of the Book

  • 51% of e-reader owners increased their purchases of e-books in the past year. Source: Book Industry Study Group survey
  • 9% of consumers increased their purchases of hardcover books in the past year. Source: Book Industry Study Group survey.
  • 2.6 Average number of books read by e-reader owners in a month. Source: Marketing and Research Resources
  • 1.9 Average number of books read by print-book readers in a month. Source: Marketing and Research Resources
  • 176% Increase in U.S. electronic-book sales in 2009. Source: Association of American Publishers
  • 1.8% Decrease in U.S. book sales in 2009 from a year earlier. Source: Association of American Publishers
  • 86% of e-reader owners read on their device more than once a week. Source: Marketing and Research Resources
  • 51% of e-reader owners read on their device on a daily basis. Source: Marketing and Research Resources

In creating the Kindle, Jeff Bezos, Amazon's chief executive, says he set out to develop technology that could encourage long-form reading, instead of just snippets.

"Everything is about getting the device to disappear so that you can enter the author's world," he said in a recent interview. "A nightmare scenario for me would be if this device would ever beep at me while I'm reading."

Gender Gap Narrows

E-readers also appear to be narrowing the gap in how men and women read. A study, released this month by the Book Industry Study Group Inc. found that men are bigger consumers of e-books than women by a narrow margin. Among e-book buyers, 52% were men compared with 48% for women—a reversal of print books, where women buy more.

E-reader users also say that 52% of their e-books were ones they purchased, while 48% of their e-books were free because they were sample giveaways or out-of-copyright.

Libraries are expanding services that let patrons virtually "check out" an e-book through the Internet, with e-book files that automatically lock down after the end of the loan period. According to the American Library Association, 66% of libraries offered e-book loans, up from just 38% in 2005.

The most checked-out adult fiction e-book at libraries is Stieg Larsson's bestseller, "The Girl with the Dragon Tattoo," according to Overdrive, a company that provides e-book loans for more than 11,000 libraries. The same is true at Amazon, the largest e-bookstore online, where Mr. Larsson also tops e-book bestseller lists.

There are some aspects of reading a print book that e-readers still haven't been able to re-create. Digital locks on e-books make it harder to lend a book to a friend, though free works are being shared much more rapidly online than ever before. Scribd.com, a social publishing and reading website, is used to share books and documents about 10 million times each month, the company says.

Page numbers are a problem for e-books, since the number of words on a virtual page depends on the size of the screen and type. Pages may be antiquated, but they're very helpful for making sure reading-club participants or students in a classroom are all on the same page. No page numbers also means there's no skipping ahead to sneak a peek at a page near the end of a book. Most e-readers have tried to replace page numbers by showing the percentage of the book read.

Range of Features

Technology has brought a range of features to books that wouldn't be possible in print. Children's author Lynley Dodd sells a title from her "Hairy Maclary" series as an app for the iPad. It lets parents or kids record themselves reading the book aloud, and a paint function lets kids color the original drawings themselves.

With an e-reader, readers can hold and turn pages with just one hand. Some readers hail how the devices can become large-type books with the click of a few buttons—and back-lit devices like the iPad work in bed even when the lights are off. Free sample chapters, common on most online stores, make it easier to try out—and potentially give up on—books before committing to a 400-page tome.

But paper pages do have one benefit that electronic devices don't have: They don't need to be put away during takeoff and landing on airplanes. On a recent trip to Seattle, 64-year-old Jamie McKenzie, a Bellingham, Wash.-based writer, said he felt a sense of superiority when his seatmate was asked to turn off his Kindle to prepare for takeoff.

"That guy may have had access to 10,000 books, but I was the one who was able to keep reading," he says.

Write to Geoffrey A. Fowler at geoffrey.fowler@wsj.com

Corrections & Amplifications

U.S. electronic-book sales increased 176% in 2009, while total book sales in the U.S. fell 1.8%, according to the Association of American Publishers.

Of individuals who own e-readers, 86% read on their device more than once a week, and 51% read on their device daily, according to Marketing & Research Resources Inc.

In a previous version of this article, the chart incorrectly reported the numbers, showing that e-book sales rose 1.8%, total book sales fell 51% and that among e-reader owners, 86% use their device daily and 176% read on their device more than once a week.